On Wednesday 25 August 1819, Keats and Charles Brown learned of Edmund Kean’s plans to visit to America, which meant he wouldn’t be able to star in the play they had just finished writing with him in mind.
Keats resumed work on his narrative poem ‘Lamia’, beginning Book II, which seems to be coloured by his disenchantment with Miss Brawne.
Love in a palace is perhaps at last
More grievous torment than a hermit’s fast:—
That is a doubtful tale from faery land,
Hard for the non-elect to understand.
Had Lycius liv’d to hand his story down,
He might have given the moral a fresh frown,
Or clench’d it quite: but too short was their bliss
To breed distrust and hate, that make the soft voice hiss.
Besides, there, nightly, with terrific glare,
Love, jealous grown of so complete a pair,
Hover’d and buzz’d his wings, with fearful roar,
Above the lintel of their chamber door,
And down the passage cast a glow upon the floor.
For all this came a ruin: side by side
They were enthroned, in the even tide,
Upon a couch, near to a curtaining
Whose airy texture, from a golden string,
Floated into the room, and let appear
Unveil’d the summer heaven, blue and clear,
Betwixt two marble shafts:—there they reposed,
Where use had made it sweet, with eyelids closed,
Saving a tythe which love still open kept,
That they might see each other while they almost slept;
When from the slope side of a suburb hill,
Deafening the swallow’s twitter, came a thrill
Of trumpets—Lycius started—the sounds fled,
But left a thought, a buzzing in his head.
For the first time, since first he harbour’d in
That purple-lined palace of sweet sin,
His spirit pass’d beyond its golden bourn
Into the noisy world almost forsworn.
The lady, ever watchful, penetrant,
Saw this with pain, so arguing a want
Of something more, more than her empery
Of joys; and she began to moan and sigh
Because he mused beyond her, knowing well
That but a moment’s thought is passion’s passing bell.
“Why do you sigh, fair creature?” whisper’d he:
“Why do you think?” return’d she tenderly:
“You have deserted me;—where am I now?
Not in your heart while care weighs on your brow:
No, no, you have dismiss’d me; and I go
From your breast houseless: ay, it must be so.”